Mounting paper on board using Grafix Double Tack Mounting Film can be challenging at first. This mounting film is permanent and accidents can happen, especially if one doesn't practice ahead.
I've being using this method for years and I'm quite comfortable with it. It takes me about 10 or 15 minutes to mount a piece, depending on the size.
Above is my finished artwork "In Between" which I will mount on a 12" x 24" x 3/4" thick Ampersand Claybord. At this point my piece measures 12.5" x 24.5", half an inch larger than the board, to account for possible misalignment during mounting. I've already trimmed the white paper edge that I normally leave around the drawing.
This is the back of my artwork which I wiped with a clean cotton rag to make sure there are no pencil debris left on the paper. I always use tracing paper to protect my piece from the cutting board.
Grafix Double Tack Mounting Film is acid free and archival. It has a coat of permanent adhesive on both sides of a thin film, sandwiched between two heavy release papers.
The image above shows the double tack mounting film which is cut a bit larger than the original artwork. I'm lifting the top release paper to expose part of the tacky area; this will be a section about an inch wide. It's always better to release more paper than necessary and then let it fall back into place up to the area that will need to be exposed.
Here I folded the top release paper back, exposing only an inch of the tacky film.
After placing my artwork over the double tack mounting sheet, I made sure it was centered inside the perimeter. At this point the artwork can still be moved because it's not making contact with the tacky film.
A close-up of the artwork positioned over the fold.
With a protective sheet of tracing paper over the artwork, I pressed down on the left side to make contact with the exposed tacky sheet. I then secured it onto the cutting board with tape.
Afterwards I lifted the right side of the artwork and slowly began pulling the release paper from underneath. At the same time, with my other hand, I rubbed the surface with a rag, moving back and forth from one side to the other, until all the release paper is out.
At this point I trimmed the edges of the double tack sheet (and tracing paper) with a sharp X-Acto knife.
I turned over the artwork and placed it face down on the cutting board, using the waxy release paper I just pulled from the tacky sheet as a protection layer. Then I rolled a rubber brayer all over the surface to reinforce the adhesion.
Here's my 12" x 24" Ampersand Claybord. I cleaned the surface with a rag and lightly sanded the sides with extra-fine sandpaper.
To pull out the other release paper from the back of the artwork I used the same method as before, exposing a 1.5" area of the tacky sheet.
Then I placed the Claybord over the mounting sheet and centered it. Again, I can still re-position it at this point because the board is not making contact with the tacky film.
Once the board is perfectly centered over my artwork, I pressed down on the left side to make contact with the exposed tacking sheet.
After placing a sheet of tracing paper over the artwork, I lifted the right side and slowly began pulling the release paper from underneath. At the same time, with my other hand, I rubbed the surface with a rag, moving back and forth from one side to the other, until all the release paper is out.
Here you can see it from the opposite side.
Once the artwork is mounted onto the board, I pressed down first with a rag and then with a rubber brayer.
I turned the Claybord over.
I trimmed the extra with an X-Acto knife.
To achieve perfect cuts I used a fresh blade for each side of the artwork.
Finally I placed the board under heavy books overnight.
My artwork is now ready for varnishing and framing.
This method works well for mounting paper on board, however it doesn't work for canvas - see Canvas and the Icarus board.
This post is an extension of my previous one on Glassless Framing.
Questions and comments are always welcomed and cherished.
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